Taking place 400 years before the events of Xenoblade Chronicles 2, you play as Lora, a young woman who has spent her life surviving in the harsh world of Alrest. If you were a fan of last year’s outing, this is an essential journey well worth taking. Such additions are accompanied by a cast of characters and a emotional narrative that really shines at times, despite it seldom breaking new ground. Torna – The Golden Country builds upon such quality with a new, standalone expansion that improves on a number of niggles that made the original an occasional frustration. Monolith Soft’s latest effort wasn’t without its flaws, but effectively surpassed them with a stunning world, engaging combat and a story that charmed and surprised in equal measure. There is one interesting element that is introduced late into the film that almost makes it worth watching (the couple's daughter is kidnapped by a crazy woman after she's almost killed in a landslide), but the rest of it's so dull it's mostly a waste of time.Xenoblade Chronicles 2 was a fantastic swansong for the Nintendo Switch ’s opening year, closing off months of stellar exclusives with a JRPG that could easily absorb hundreds upon hundreds of hours. He straight up believes it when a disreputable character (Franco Fabrizi), whom he knows burns a candle for his wife (Yvonne Sanson), claims they had an affair. It requires its lead character (played by Matarazzo regular Amedeo Nazzari) to be a complete idiot. This is a pretty awful little film, just a completely uninteresting melodrama. Torna! isn't included in that set, but it's on Hulu. I only ever got around to watching one of them, Chains (1949), and, while it wasn't terrible, it wasn't any good, either. I'd say Matarazzo is less Sirk and more Days of Our Lives. They know how to push product, and I picked up the set. When Criterion first announced an Eclipse set of titles from Raffaello Matarazzo, they described him as the Douglas Sirk of Italy.
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